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Bielstein was also managing director of Actors Theatre of Louisville for 10 seasons. Program from a two- to a three-year program and the further integration of the M. In Los Angeles, she served as the founding program coordinator for the Liberation Arts and Community Engagement (LACE) Center. Davis is a founder of The Collective: The Depth of Black Arts, a multidisciplinary arts organization striving to establish spaces in which artists present and preserve African American cultural traditions. Buescher is a graduate of the Dell’Arte International School of Physical Theater and the California Institute of the Arts. Carlin is a Lecturer at the University of California Santa Cruz and teaches for Cal Shakes, A. T., Berkeley Rep, Stagebridge, and coaches privately. ) is an award-winning playwright, director, performer and teacher.In Louisville, she served on the boards of the Louisville Downtown Development Corporation, Greater Louisville Inc., and the Arts and Cultural Attractions Council, as well as serving as a review panelist for the National Endowment for the Arts. During that time, she has overseen the expansion of the M. Struch also worked with Peer Health Exchange for three years in Los Angeles, San Francisco, and Oakland. in theater from California State University, Northridge. He has directed The Collective's annual Depth of Black Arts festival (2013) and CARLY CIOFFI is an actor, director, producer, and teacher. She taught acting and devising theater at pre-college programs, Boston University and the Olney Theatre Center in Maryland, and currently teaches acting in the adult theater program, Studio A. MATT CHAPMAN is a performer, director, and teacher of physical theatre and clown. She holds a BA in comparative literature from Brown University and an MFA in acting from A. He was Artistic Director of Art Street Theatre, San Francisco, from 1995 to 2004, during which time he wrote, directed and performed in numerous productions for the company. Production highlights include the Pulitzer Prize–winning Next to Normal, the New York Drama Critics' Circle Award–winning Intimate Apparel, the Tony Award–nominated revival of A Day in the Death of Joe Egg, the Tony Award–winning revival of Big River, Anna Deavere Smith's Let Me Down Easy, and the 2011 Lucille Lortel Award winner for best play, The Elaborate Entrance of Chad Deity. T.'s senior management team, she now oversees the central components of the theater's Education & Community Programs: Student Matinees, the ACTsmart Partnership program benefitting Bay Area schools and community-based organizations, Will on Wheels, Back to the Source, and Stage Coach. Conservatory productions of Maxim Gorky's Philistines, Sarah Daniel's magazine. is a theater and social justice educator with over ten years experience working with a diverse range of students, teachers, and community members. Jasmin received her MA in Equity and Social Justice in Education from San Francisco State University and a BA in Performing Arts for Social Change from the University of Massachusetts, Amherst. as the Publications and Education Fellow for the 2011–12 season and served as A. T.'s first education associate in 2012–13, a role for which she was awarded the an A. While at Webster, she served as a Student Government Education Senator, studied at Regents College London, and volunteered in local hospital and library reading rooms. Prior to joining Second Stage, he spent six seasons at Roundabout Theatre Company, where he managed Broadway and off-Broadway productions. Artistic Director's Award in 2000 and the San Francisco Unified School District's Dreamcatcher Award in 2012. Jasmin’s playwriting, directing, and acting credits include (University of Massachusetts). Louis, she graduated summa cum laude in 2010 with double departmental honors in secondary education and drama studies. T., Perloff was artistic director of Classic Stage Company in New York, where she directed the world premiere of Ezra Pound’s , and many classic works. During his time at Roundabout, he worked on the construction and renovation of the Harold and Miriam Steinberg Center for Theatre and the Laura Pels Theatre; at Second Stage he managed the renovation of the Helen Hayes Theatre, which is to become Second Stage's Broadway home in 2013. She has also served as dramaturg/assistant director on A. She is a graduate of Princeton University and the Columbia University School of Law. (School & Community Programs Coordinator) joined A. She was also involved with Surfacing, Webster's biannual playwriting showcase, in which undergraduate students write, design, direct, and perform one-act pieces. He is a collegiate instructor at the San Francisco Conservatory of Music and has guest lectured at several colleges and universities.

LISA ANNE PORTER (Co-Head of Voice and Dialects) has served on the faculties of UC Davis, San Francisco State University, Shakespeare & Company, The Tepper Center (New York City), Naropa University, California Shakespeare Theater, and Berkeley Repertory Theatre. program at Syracuse University (2001–06), where in her first year teaching, she was awarded the Most Inspirational Faculty Award. She has coached over 260 shows including the World Premiere of . She trained with Frank Ottiwell at the Alexander Training Institute of San Francisco and continued that education for many years by assisting in Ottiwell's classes at A. She has taught Alexander Technique elsewhere around the Bay Area at Elephant Pharmacy, The French American International High School, and San Francisco State University.In Chicago, Bielstein was the executive director of Writers Theatre; worked for Steppenwolf Theatre Company, About Face Theatre, Northlight Theatre, Apple Tree Theatre, and the Lincoln Park Zoo; and served on the board of the League of Chicago Theatres. Bielstein is a graduate of the University of North Carolina at Chapel Hill, the Stanford Graduate School of Business Executive Program for Nonprofit Leaders in the Arts, and Bellarmine University’s Masters in Business Administration, where she received the MBA Faculty Merit Award and was inducted into Beta Gamma Sigma, the honor society for business programs. Most recently, she served as the Bay Area program director, training college volunteers and managing a school-based health education program for 2,500 high school students. She has previously served as both Associate Director of the Conservatory and Artistic Associate at A. He is Co-Artistic Director of Under the Table, a physical comedy ensemble founded in 2001. Mark's work has also been seen at Aurora Theatre Company, Encore Theatre Company, EXIT Theatre, Potrzebie Dance Project, San Francisco International Arts Festival, Shotgun Players, and The Studio Theatre (Washington D.Melissa Smith (Conservatory Director, Head of Acting) has served as conservatory director and head of acting at A. is an actor, director, teaching artist, and TCG Leadership U[niversity] grant finalist (2012). Matt spent three years on Faculty at Dell'Arte International School of Physical Theatre, and has taught clown at multiple colleges. C.), among others; as well as internationally at Arts International Festival IV (Japan), Edinburgh Festival Fringe (UK), and Deutsches Theater Berlin (Germany).He is a graduate of the California Institute of the Arts (Cal Arts) School of Theater M. He has led workshops and classes at such places as the Kennedy Center, American Conservatory Theatre, Actor's Theatre of Louisville, Wild Wind Performance Lab, and NYU. Lozano also teaches and directs in the Young Conservatory, M. His plays have been developed at American Conservatory Theater, Capital Stage, EXIT Theatre, Playwrights Foundation, Magic Theatre, and Z Space Studio.Abroad, his workshops and performances have included South Africa, Denmark, Colombia, Canada, and England, Mexico, and the Netherlands. Other teaching includes: Accademia Nazionale d'Arte Drammatica “Silvio D'Amico” (Rome); Prima del Teatro, San Miniato, Italy; Chautauqua Theater Company; Classic Stage Company; De Paul University; California State University, Fullerton; Stanford University; and the Esalen Institute. in theater and American studies from Wesleyan University, and is certified in Linklater voice training. Mark has also directed a number of productions as a guest artist of both the American Conservatory Theater MFA Program and San Francisco State University.

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